Showing posts with label omnivore's dilemma. Show all posts
Showing posts with label omnivore's dilemma. Show all posts

Thursday, July 28, 2011

Why I Will Never Look at a Tomato the Same Way Again: A Review of Barry Estabrook’s Tomatoland

Article first published as Book Review of Barry Estabrook’s Tomatoland on Blogcritics.

If you are looking for a feel-good book, Tomatoland: How Modern Industrial Agriculture Destroyed Our Most Alluring Fruit by Barry Estabrook isn’t it. In fact, if you aren’t prepared to be deeply disturbed, upset, angry, and disgusted, I don’t recommend reading this book at all. If, however, you are prepared to take the red pill, go down the rabbit hole, and wake up to some realities of the world, read Tomatoland. Read it now.

Seems pretty innocuous doesn’t it? The tomato industry—hardly the stuff of corruption, violence, and chemical warfare, or so you might think. Unfortunately, it is. In particular, the book addresses the Florida winter tomato industry, which supplies most of those insipid, pinkish tomatoes you find in the grocery store in winter or in fast-food meals. You know the ones that don’t taste like anything at all and are firm enough that you might be able to play a game of tennis with them?

Lack of taste (and nutrients) is just one of the tragedies associated with the growing of this fruit—and probably the least upsetting, which says a lot coming from someone who dearly prizes the flavor of food. The worst crimes of this industry are perpetrated on the environment the fruits grow in and upon the people who pick them. In crisp, unsentimental language devoid of hyperbole, Barry Estabrook details some of the atrocities committed in the name of the winter tomato.

First up is a shocking catalogue of the chemical warfare waged on the soil—if you can still call it soil—to grow the hard, green bomblets that eventually make their way north and into your salad. As it turns out, Florida happens to be one of the worst places in the country for growing tomatoes. The soil, or sand rather, is nutrient poor. The climate is extremely variable and humid, which allows all kinds of fungi, pests, and weeds to take hold and ruin a crop. To manage these challenges, the tomato industry carpet bombs fields with massive quantities of pesticides, herbicides, and fungicides. Many of the chemicals used are Class I pesticides, which are considered highly toxic. For example, the material safety data sheet (MSDS) for methyl bromide states that it “may be fatal if inhaled and harmful if swallowed or absorbed through the skin. It is a neurotoxin and a severe irritant to the upper and lower respiratory tract, skin, and eyes.”

These aren’t chemicals we like to imagine eating, and they horrify us with the thought of what they might be doing to the environment. But worst of all is what they do to the laborers in the tomato fields—who are both the victims and the heroes of this story. Much of the Florida tomato industry has taken a laissez-faire attitude when it comes to regulations regarding chemical applications and worker safety. Workers are regularly exposed to these chemicals and experience ill health effects ranging from headaches, nausea, and chemical burns to birth defects and death.

And the story of worker abuse doesn’t stop there. Estabrook details maltreatment of laborers from economic exploitation to outright slavery. In one harrowing passage, he describes what happened to some enslaved workers: “If Domingo or any of the others in the crew became ill or too exhausted to go to the fields, they were kicked in the head, beaten with fists, slashed with knives or broken bottles, and shoved into trucks to be hauled to the worksites. Some were manacled in chains.”    

At the depths of this book, I had started planning this article and decided to title it “Why I Will Never Eat a Florida Tomato Again,” but to Estabrook’s credit, the second half of this book made me rethink this position. From the horrors emerge the occasional bright lights—stories of people who are willing to help and in some cases to put themselves at risk to do so, including a lawyer willing to fight for a badly deformed infant, a bus driver who lost her job for speaking out, courageous farm laborers willing to go undercover to expose slavery, church groups that host soup kitchens, and coalitions of workers who work to change the system. These stories made me realize that simply boycotting Florida tomatoes does little to create change. Supporting the people who are working to make a difference does.

Every once in a while, a book comes along that throws over what we think we know about things; examples include Rachel Carson’s Silent Spring, Michael Pollan’s The Omnivore’s Dilemma, and Eric Schlosser’s Fast Food Nation. These are books that have the potential to change the world. Tomatoland: How Modern Industrial Agriculture Destroyed Our Most Alluring Fruit is just such a book. If you care about the food you eat, about justice, about the environment, about human beings, then you need to read this book.  

Friday, April 8, 2011

So what am I doing with this blog anyway?

For weeks, perhaps months, I have been planning to start this blog about sourcing, making, and eating food, but I have procrastinated. I kept trying to decide what blog service to use and what to call it and what is it going to be about and do I have a point of view that's fresh.I hesitated, hemmed, hawed. A few nights ago, I was trying to sleep and writing my First Blog Post in my head, and I asked myself: What's taking so long? Why haven't you done this yet? The service and the name aren't that big a deal, are they? Then a tiny voice piped up from the back of the room (because I view my mind as a vast conference room with lots of people there to listen to what I have to say--no, I don't really, but I thought it was kind of fun to imagine anyway), so, where was I? Oh yeah, little voice, back of room, said "But what if it isn't any good?" Yeah, you nailed it, tiny voice: I was scared. I am scared. What if this isn't any good? What if no one wants to read what I have to say about food? And what is it exactly that I want to say about food? Food is good. Enjoyed with friends, it's wonderful. A lot of people are out there talking about food. What do I have to bring to the table?

Well, these are some reasons I want to write about food:

About a year ago in January, my husband Mike and I borrowed an audiobook version of Michael Pollan's In Defense of Food. When we were done with that, we went on to Omnivore's Dilemma, which more than any other book made us want to opt out of the industrial food chain and so we set out to do that. It wasn't easy, and it still isn't. We have changed our behaviors with regard to getting and making food, and we have changed the way that we think about food, but the practices of avoiding food shipped from halfway across the world (especially in winter), of making your own, of trying to eat mostly local and sustainably raised food are hard. But to us they are incredibly meaningful and so we keep at it. In fact, trying to eat the way that we want to eat is so meaningful to us that I hope to be able to share some of what we have learned and hopefully get others to opt out of industrial food too. Because I also think that the more people opt out of it, the easier getting local, sustainable, nonindustrial, and seasonable food will become as local food distribution becomes more efficient. So there's a selfish aspect to it: I want you to do what I do so that it gets easier for everyone.

Then, there is the love and passion aspect to it, and that encompasses so many different components that I easily get lost. There's the quality of the food that I get from people I directly support. There's the sense of belonging to a community, a place, where I have a stake in the soil, in the air and water, and in the people who live near me. One of the most potent ways I know to connect to the world is to eat. Food is a distillation of sun, soil, place, air. In his book,  NOMA: Time and Place in Nordic Cuisine and in his food, chef Rene Redzepi talks about this connection between what we eat and where we are as a way to create sense memories, and in a sense to create an ephemeral art. I cannot create the kind of art that Rene creates, but to take some of that spirit and infuse it into the quotidien is something I want to strive for. I think that the practice of thinking and writing about food can help me to make daily life an art form, which makes my life more meaningful and more beautiful and hopefully does the same for my family.

Finally (at least for this post--there are more reasons and I will develop them as we go along), I want to teach what I know about cooking by passing along my successes and sharing my failures. Hopefully in the process I can keep getting better and learning more.

So this blog will be a mish-mash of recipes and tips, of food politics, of raving about the good (and perhaps the bad), of sharing stuff I learn, of creating art. Hopefully it will entertain, inform, inspire--I mean, why else would anyone write?

And to get started with the recipes, here's my recipe for roast chicken (which I planned to have for dinner tonight, but a family thing suddenly came up):

1 whole chicken (I get mine from Haskins Family Farm, which I will rave about at another time)
salt, white pepper
2 lemons (unfortunately usually not local, but I do have a lemon tree now!), one juiced, the other cut in half
herbs to taste or as available
unsalted butter

  1. Preheat the oven to 425 degrees
  2. Butter a baking dish (you want it to be deep so that it can hold some water)
  3. Rinse the chicken with cold water, inside and out
  4. Pat the chicken dry with paper towels
  5. Grab about a tablespoon of salt and rub the inside and outside of the chicken (sometimes you will need more--don't be afraid to salt a lot!)
  6. Rub the inside and outside of the chicken with white pepper
  7. Stuff the lemon halves inside the chicken along with any herbs that you have available (if you don't have any, you can skip this)
  8. Place the chicken in the baking dish, fill the bottom wiht about an inch of water
  9. Put it in the over for 30 minutes
  10. After 30 minutes, pull it out, turn the chicken over in the dish, and pour lemon juice all over it
  11. Back in the oven, 20 minutes
  12. Pull it out, turn it over, and rub the chicken with 1 tablespoon of butter
  13. Back in the oven, 20 minutes
  14. Out of the oven, pour pan drippings over the chicken, flip it over, in again, 15 minutes (you will keep doing this last step for 2-3 more times depending on the size of the chicken). I usually check doneness by poking the joint between the leg and the body to see if the juices that run out are clear. Others prefer a thermometer, which should read about 165 degrees in the thickest part of the thigh.
  15. When it is done, remove the chicken from the dripping and let it stand and rest on a platter for about 10 minutes.
In the meantime, you can make gravy with the drippings. Use a fat separator and let the drippings divide into two layers. Grab about 2-3 tablespoons of the fat and put it into a pan. Add 2-3 tablespoons of flour to the fat and cook for a few minutes (don't let it burn). Then whisking fast, add the drippings (minus fat) to the fat and flour in the pan. It will thicken quickly. If it gets too thick, you can always add some milk, cream, or stock to thin it. Salt and pepper to taste (mine is usually pretty salty, so I definitely check the salt before adding any).

I usually serve roast chicken with roasted root vegetables (whatever is in season or I have around the house) and some kind of salad. Again, it really depends on what's available and looks good at the farmer's market.